Broadway in Indianapolis: 2017-2018 Season

Flying children, a boy with his tongue frozen to poles, and a green-faced young girl are just a few of the reasons Broadway in Indianapolis' 2017 - 2018 season is interesting this year.

Returning for a tour is Rent, new shows are a majority of the list, and the musical numbers are well known in more than one show.

Below is the schedule, with ticket information following.

Broadway in Indianapolis

2017-2018 SEASON SHOWS

Finding Neverland

October 17-22, 2017

Clowes Memorial Hall

Finding Neverland tells the incredible

story behind one of the world’s most beloved characters: Peter Pan. Playwright J.M.

Barriestruggles to find inspiration until he meets four young brothers and their beautiful

widowed mother. Spellbound by the boys’ enchanting make-believe adventures, he sets out to write a play that will astound London theatergoers. 

A Christmas Story, The Musical

November 28-December 3, 2017

Old National Centre

A Christmas Story, The Musical chronicles young and bespectacled Ralphie Parker as he

schemes his way toward the holiday gift of his dreams, an official Red Ryder® Carbine-Action

200-Shot Range Model Air Rifle (“You’ll shoot your eye out kid!”).

Beautiful

The Carole King Musical

January 30-February 4, 2018

Clowes Memorial Hall

Long before she was Carole King, chart-topping music legend, she was Carol Klein, Brooklyn girl

with passion and chutzpah. She fought her way into the record business as a teenager and, by

the time she reached her twenties, had the husband of her dreams and a flourishing career

writing hits for the biggest acts in rock ‘n’ roll. It wasn’t until her personal life began to crack

that she finally managed to find her true voice. Beautiful tells the inspiring true story of King’s remarkable rise to stardom, from being part of a hit songwriting team to becoming one of the most successful solo acts in pop music history.

Les Misérables

March 13-18, 2018

Old National Centre

Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story

of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament

to the survival of the human spirit. Seen by more

than 70 million people in 44 countries and in 22 languages around the globe, Les Misérables is still the world’s most popular musical, breaking box office records everywhere in its 32nd year.

RENT 20th Anniversary Tour

June 12-17, 2018

Clowes Memorial Hall

In 1996, an original rock musical by a little-known composer opened on Broadway... and forever

changed the landscape of American theatre. Two decades later, Jonathan Larson’s Rent

continues to speak loudly and defiantly to audiences across generations and all over the

world. And now, this Pulitzer Prize and Tony Award®-winning masterpiece returns to the stage

in a vibrant 20th anniversary touring production. A re-imagining of Puccini's La Bohème, RENT

follows an unforgettable year in the lives of seven artists struggling to follow their

dreams without selling out. With its inspiring message of joy and hope in the face of fear,

this timeless celebration of friendship and creativity reminds us to measure our lives with love.

Wicked

April 25-May 13, 2018

*Old National Centre

Wicked, the Broadway sensation, looks at what happened in the Land of Oz...but from a

different angle. Long before Dorothy arrives, there is another young woman, born with

emerald-green skin—smart, fiery, misunderstood and possessing an extraordinary talent. When

she meets a bubbly blonde who is exceptionally popular, their initial rivalry turns into the

unlikeliest of friendships...until the world calls one “good,” and the other one “wicked.”

GROUP SALES AND SINGLE TICKETS

Group sales information is now available for all shows. Reservations may be made by calling

Group Sales Manager, Chris Schneider, at 317-632-7469 x 103 or email at

Chris.Schneider@BroadwayAcrossAmerica.com. For more information visit

BroadwayInIndianapolis.com

Tickets for individual shows typically go on sale to the general

public 4-6 weeks prior to the opening of the show.

Elizabeth J. Musgrave is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Theater Review: The Phoenix Theatre: The Open Hand

Guest Review: John Simmons

The Open Hand Phoenix Theatre Now Through May 14

Robert Caisley’s The Open Hand is a play filled with surprises – and that may be part of its undoing.

The play opens simply enough with two friends, Allison (Leah Brenner) and Freya (Julie Mauro) lunching at an expensive Asian restaurant. When Freya rushes out to a super-important job interview, Allison is stuck with a check she cannot pay because she can’t find her billfold. Suddenly, a dapper middle-aged stranger named David Nathan Bright (nicely played by Charles Goad) appears and gives Allison both the money for the check and an umbrella for the rain that is pouring down outside … all without asking for a thing in return.

After that, The Open Hand becomes a play in three parts. Part I channels the comic banter from classic sitcoms (the old Dick Van Dyke Show comes to mind) where we learn about the trials facing Allison in her relationship with her talented-but-edgy boyfriend, Todd (Jeremy Fisher), and Freya in her relationship with her laid-back-but-unhappy boyfriend, Jack (Jay Hemphill). Allison, in particular, struggles with expressing her emotions and accepting love from others. She also has a birthday fast approaching … but Allison never, ever celebrates her birthday.

A chance meeting in the park with David Nathan Bright and Allison’s decision to invite him to her “not-birthday” party (two of the play’s somewhat awkward contrivances) lead us into the play’s hilarious and dramatic Part II. David’s seemingly endless affability and generosity lead to feelings of suspicion, jealousy and, finally, anger among his fellow party-goers, as they try endlessly to discern his “real” motives. Here, The Open Hand asks a great question: Have we become so insecure and competitive as a society that we can no longer accept simple acts of kindness from one another? Are we that cynical?
That question goes unanswered, as the play’s closing act moves it away from being a comedy of manners and more towards a story about personal forgiveness. Allison’s birthday-averse behavior and emotional rigidity, it seems, are the results of a traumatic event from her past, an event that is so traumatic (and, like other plot twists, somewhat contrived) that it almost feels like “too much”.

Phoenix’s The Open Hand is a marvelously well-told tale. The cast are all excellent, and Jeffrey Martin’s revolving set − which does quadruple duty as a restaurant, two city apartments and a townhouse – is a wonder to behold. It’s just that, with one too many plot twists on the part of the playwright, you may find yourself wanting a more satisfying resolution to the tale.

Images: Phoenix Theatre

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Theater Review: Phoenix Theatre: Sex with Strangers

*Written by guest reviewer John Simmons*

Despite its provocative title, playwright Laura Eason’s Sex with Strangers isn’t really about sex,although it does start out that way. The play, at Phoenix Theatre, Indianapolis, through April 9, begins in an out-of-the way B&B that serves as a safe haven for writers.

Here we meet 30- (or is it 40?) something Olivia, whose been badly bruised by the public’s reception of her first novel. Olivia’s world is suddenly upended by the sudden appearance of the much younger − and far-too-sexy – Ethan. Turns out that Ethan is an internet sensation whose online memoir, blog and soon-to-be movie, Sex with Strangers, document his singular accomplishment of having sex with at least one new woman per week for a year. He’s also a huge fan of Olivia’s first novel and (after taking a sneak peek) her unpublished second one.

With the heavy snowfall outside robbing Olivia and Ethan of the internet and access to the outside world, what else is there for them to do – except begin bonking one another just minutes into Act I? It isn’t revealing too much to say that supremely tech-savvy Ethan helps Olivia self- publish an online version of her new novel, while Olivia uses her far more limited social media skills to learn about Ethan’s sordid past ... all with unintended consequences.

The Phoenix Theatre’s production of the two-person show
features some nice performances by real-life couple Angela R. Plank as Olivia and Brandon Alstott as Ethan, but there’s a certain subtext that’s missing.

Alstott draws a convincing portrait of a young man who seems genuinely smitten, is willing to put his sexually overactive past behind him and wants to be taking seriously as a writer. But should we really believe Ethan can move on from all the money, women and fame that keep coming his way? Plank does a nice job showing us Olivia’s fears in getting involved with Ethan and having her new work rejected. But there’s also the suggestion that quietly ambitious Olivia questions Ethan’s commitment because, having benefited from his help in achieving a success she only dreamed of, Erotic Ethan is no longer good enough for her.

Sex with Strangers is more than just the story of a woman who cannot move beyond the toxic bad boy in her life. Strangers is about the lies we tell others in relationships and about the lies we tell ourselves – about ourselves – to justify our own bad behavior. By adding this extra layer of ambiguity – by ‘muddying the waters’ just a bit – Phoenix’s production of Sex with Strangers would move from being a good production to a great one.

Images: Zach Rosing

John Simmons recently moved back to his hometown of Indianapolis from New York City, where he stage managed or produced numerous off-Broadway shows. John was also General Manager of The Active Theater.

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Things to do in Indianapolis March 2017

It's warm, it's cold, it's raining, then snowing, then sunny.... strange winter in Indianapolis indeed. You just decide it is a good time to go hiking, when the temps drop and the snow falls. As March rolls its way in, the weather will continue to flip flop. Outside, or in, there are always things to do in Indianapolis.

Here are my TOP 5 recommendations for March 2017.

Broadway in Indianapolis
If you have not seen it, now is the perfect time as Broadway in 

Indianapolis brings a return performance of Jersey Boys to Clowes Memorial Hall, Butler University February 28 - March 5. This will be my third time to catch it, because it is worth it (read my review here). Then, March 30 – April 2, Motown the Musical takes over The Murat Theatre at ONC. Two great eras of music ~ life is good.

WFYI Ice Miller Wine Fest 2017

Hosted by Ice Miller this wine event will be held Fri., March 3, and has been moved to Old National Center. Still the preeminent fundraiser for WFYI, this annual tasting soiree' is THE wine event for Indy.

Livery Stable
Livery has a rooftop dining experience with spectacular views of Mass Ave's splendor, Lockerbie, Chatham Arch and other historic neighborhoods. This most recent restaurant addition to the Mass-College corner is impressive in its simplicity. The understated urban décor, efficient and friendly service (an important detail to many), and trendy, well-executed menu ~ both culinary and cocktails ~ make this THE place to catch sunlight, starlight and wonderful views.

Central Canal
The best way to break out of those winter blahs is to take a stroll, bike ride, or brisk walk, along downtown's canal. From war memorials, to fountains and fauna, to people watching, there is always something to do along the waterway.

Cabaret
Moved into its new home (for now), The Cabaret is a perfect reason to dress up. Great talent is brought in from all over for the cozy, intimate club-style ambiance. Fri., March 10, Judy Kuhn performs two shows at Cabaret's new location.

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Review: Dance Kaleidoscope: DIVAS!

Guest review by John Simmons ~

At first glance, Dance Kaleidoscope’s Divas is virtually critic-proof. After all, what’s not to like about an evening of dance choreographed to the music of some of the world’s most celebrated female singers? The evening promises to be one of pure entertainment … and DK’s Divas is certainly all of that.

But, if you look closer, you’ll see something far more interesting (and intriguing) going on.

Structurally, Divas is divided into halves: the first half features nine numbers choreographed by members of DK’s young dance troupe to the music of such world-class divas as Annie Lenox, Celine Dion, Adele, Stevie Nicks, Kelly Clarkson, Nina Simone, Shirley Bassey, Patti LaBelle and Barbra Streisand.

The second half features world premieres of works choreographed DK’s Artistic Director David Hochoy (to the music of Janis Joplin) and Guest Choreographer Nicholas A. Owens (to the music of the great Aretha Franklin). Both halves are ably supported by Costumers Guy Clark and Cheryl Sparks, with especially noteworthy work done by Lighting Designer Laura E. Glover.

As you’d expect, Divas’ second half is highly-polished. In his remarks at intermission, David Hochoy spoke of his admiration – born at an early age – for the music of Janis Joplin, and his tribute to her is full of flashing colors, waves of movement and choreography that emphasizes the physicality of his young dancers. It’s a tribute that captures the energy of Joplin’s music, if not its (occasional) sadness. 

Nicholas Owens’ tribute to Aretha Franklin is somewhat more varied and, at times, more subdued – featuring such show-stopping numbers as (You Make Me Feel Like) A Natural Woman and Respect (two songs that are certainly on everyone’s list of all-time favorite songs) and ending with the lovely and beautifully-choreographed First Snow in Kokomo.

In contrast, Divas’ first half is less a tribute to the divas whose music it celebrates and more of a look inside the minds of the next generation of choreographers, as they explore issues of concern to young people everywhere. Themes covered here include sex, love, the excitement of a first kiss, the joy of self-discovery and the loss of a parent. While technically polished, Divas’ first half is especially interesting because of the idiosyncratic, almost quirky, choices DK’s young artists make.

Jillian Godwin’s First Touch (performed to the music of Adele’s I Miss You), for example, is a very muscular, almost aggressive look at the rush that comes with a new relationship. Missy Trulock’s Edge of Seventeen (choreographed to Stevie Nicks’ song of the same name) features imagery that captures the challenges that women face in dealing with a society that wants them to be both empowered and angelic. Zach Young’s Missionary Man (choreographed to Annie Lenox’s song of the same man) features some sexy – if politically incorrect – choreography, exceeded only by the highly politically incorrect choreography offered by Timothy June’s Enlightenment, a hilarious exploration of diversity and self-discovery danced to Shirley Bassey’s I Am What I Am.

Stuart Coleman makes a bold choice for his Don’t Rain on My Parade (performed by Barbra Streisand) by featuring a single dancer in red (Aleksa Lukasiewicz), in a celebration of the simple joy a person feels in declaring their own self-worth and freedom from expectations (a celebration, Coleman says, that was inspired by the rush he felt when singing Parade solo in a karaoke bar!) These are just some examples of the many delights offered by each of Divas’ nine first half performances.

In his remarks at intermission, David Hochoy spoke about how proud he was of his young dancers and how their work on Divas represents an important first step in helping to preserve the legacy of modern dance. Divas certainly offers an evening’s worth of entertainment, as it celebrates the life and work of some of our most talented female artists. But it also makes you wonder what the future holds – and what works of art DK’s talented choreographers will one day create – as they continue on their journey of self-discovery and channel the artistic power of their own inner divas.

*Note* Dance Kaleidoscope will return with the performances:

April 1: Kaleidoscope of Dance Gala, The Westin, Indianapolis - Buy Tickets Online

April 6-9: DK & Friends, IRT - Buy Tickets

June 1-4: The Indianapolis Colts presents Dance is a Contact Sport, IRT - Buy Tickets

Images: Crowe's Eye Photography
Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Theater Review: Theatre on the Square (TOTS): A Christmas Survival

So many delightful, and deserving, events to attend and performances to review... in that vein, an opportunity has presented itself to me. A gentleman in the world of theater for whom I have much respect has transplanted from New York City to his hometown of Indianapolis and offered to relieve me of some of the numerous reviews worthy of attention in town.

Without further ado ~ enter a review by John Simmons ...

A Christmas Survival Guide has been a staple of many Christmases Past but, even if you’ve seen the show before, you haven’t seen the version now being performed at Theatre On The Square’s intimate, cabaret-style Stage 2 Theater. The TOTS’ creative team has refurbished this holiday chestnut with an assortment of up-to-the-minute pop culture references, well-placed four-letter words and sexy double entendres.

How much a particular sketch tickles your funny bone will, of course, depend on your particular brand of humor. Some standouts include: a hyper-sexed rendition of ‘Baby, It’s Cold Outside’ (with and Eric Brockett); a hilariously hyper-frenzied rendition of ‘Sleigh Ride’ (Anna, Shauna Smith and singing standout Josiah McCruistion); Mrs. Claus (Eric, in drag and employing an accent of undetermined origin) complaining about being neglected by her husband, especially on Christmas Eve; a lonely young woman (Gabby Niehaus) hitting up a department store Santa (Josiah) for a date to the office Christmas party; and a lusty Saint Nick himself (Josiah) extolling the virtues of being ‘the man with the bag’ when attracting the ladies.

Pet owners, in particular, will appreciate the holiday gift exchange between a dog, a cat and their human (Anna, Eric and Josiah). Those who’ve seen the show undoubtedly have favorites of their own (as will you).

The humor is broad and adults only, and some sketches work better than others. A Christmas Carol, it’s not. A Christmas Guide’s laughs also work best when they are shared with others. So, this holiday season – if you and your friends are looking for something more naughty than nice – why not trot down to TOTS and spend an evening with A Christmas Guide’s lively cast (ably assisted by Stage Manager and Cast Member Nikki Sayer and skilled piano man Levi Burke) in ushering in some Yuletide cheer?

The show’s setup is simple: the play’s characters are reading chapters from Dr. Holly’s self-help book, A Christmas Survival Guide, with pre-recorded voice overs letting the audience in on the advice being read. There’s no real story line, but a series of musical comedy sketches (with many offering new takes on classic Christmas songs) about maintaining a brave face when celebrating Christmas in the modern age.

Images: TOTS

John Simmons recently moved back to his hometown of Indianapolis from New York City, where he stage managed or produced numerous off-Broadway shows. John was also General Manager of The Active Theater. Active Theater alumni who have gone on to bigger and better things include Grace Gealey (aka Anika on Fox’s Empire) and Lucy Owens (now appearing in Miss Sloane).

Elizabeth J. Musgrave writes magazine food and wine column: Destination Dining and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Chef Joseph’s at The Connoisseur Room: Summer 2016 Line up

As you may have guessed, Chef Joseph's, 115 E. Ohio St., is one of my favorite restaurants and hangouts in Indianapolis. Now, they have heard the cry of theater goers' needs for needing a place to go after the curtains close and have opened their posh place for late diners.

The downtown hot spot is pleased and honored to be named as one of Indy's 2016 Top 10 locations for Jazz in Indianapolis. The RAT pack-ish eatery has announced its live, local entertainment schedule.

Beginning in June, additional hours will be added to their Thursday and Friday evenings from 11 pm – 2 am. Featuring Jan & Casey's Groove Machine, the Charlie Balentine Trio, King Crabb, Ferris, the Yeager Swing Quartet, the James Knott Trio, Cozy Myers, Xenobia Green, Nancy Moore, Matthew Houghland, Yvonne Allu and Co., the late-night favored spot accepts reservations at ChefJosephs.com/reservations.

For more information about Chef Joseph’s at The Connoisseur Room, go to ChefJosephs.com

Images: Provided

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Indiana Historical Society (IHS) Concerts on the Canal 2016 Lineup

Thursday nights spent lounging along the canal in Downtown Indianapolis is a favorite among urbanites. A bottle (or two) of wine, nibblers and a blanket is all that is required for those wishing to enjoy the evening. The Concerts on the Canal series is hosted by the Indiana Historical Society throughout the summer.

This summer's concerts run from May 26 through July 28 with the new Free Admission Thursdays, which includes extended hours in the venue on concert dates. 

Musical entertainment begins at 6 p.m. on concert Thursdays and will feature a variety of styles from jazz, blues and swing to rock, R&B and pop favorites.

Free seating is available on the grassy knoll, which is across the canal from the History Center. Guests can also purchase seating on the History Center's Kruse Family Stardust Terrace in tables of eight ($50/$40 IHS members) or tables of four ($40/$30 IHS members), and single-seats at the community table ($10/$8 for IHS members).

No pets or smoking are allowed on the Terrace.

Patio visitors are welcome to bring their own food and non-alcoholic beverages. All alcohol must be purchased on-site, and a cash bar will be offered. Guests can also purchase food from Hoaglin To Go, available through the History Center's Stardust Terrace Café and at an outdoor grill.

The History Center will offer free admission and extended hours on concert dates, until 8 p.m. Concertgoers are encouraged to take full advantage of access to the Indiana Experience, as well as a weekly selection of IHS's traveling exhibits. Exhibits explore topics such as Indiana disasters, the state's rich automotive past, the lives of Hoosiers during Prohibition and more.

In addition, IHS is making it possible for guests to enjoy a free day of fun and music leading up to the city's 4th of July fireworks. On Monday, July 4, the History Center will be open from 10 a.m. - 5 p.m., with free admission. From 5 - 9:30 p.m., IHS will offer a special patriotic concert.

The Eugene and Marilyn Glick Indiana History Center, home of IHS and the Indiana Experience, is located at 450 W. Ohio St., downtown along the canal.

Membership, information and resources: (317) 232-1882 or IndianaHistory.org.

Concerts on the Canal 2016

May 26

Concert: The Cool City Band, featuring Shannon Forsell, Jimmy Guilford and Laney Wilson

(Swingin' music from the lounge era)

Traveling Exhibition: One Shot: The WWII Photography of John A. Bushemi

June 2

Concert: Flying Toasters (High energy dance favorites)

Traveling Exhibition: Hoosiers and Their Hooch: Perspectives on Prohibition

June 9

Concert: Actors Theatre of Indiana (Cole Porter Birthday Celebration)

Traveling Exhibition: A Visual Journey: From AIDS to Marriage Equality by Mark A. Lee

June 16

Concert: Indy Nile (Eclectic mix of classic rock, funk and blues)

Traveling Exhibition: The Great War: From Ration Lines to the Front Lines

June 23

Concert: The Funk Quarter (New Orleans Rhythm and Blues)

Traveling Exhibition: Steamboats a Comin' The Legacy of the New Orleans

June 30

Concert: Everett Greene (Love songs and jazz standards)

Traveling Exhibition: Auto Indiana

July 4

Concert: Indianapolis Municipal Band (5 to 6 p.m.) (Patriotic tunes and marches)

The Tad Robinson Band (7:30 to 9:30 p.m.) (Americana, soul and roots)

Traveling Exhibition: Faces in the Crowd: Indiana and the Political Process

July 7

Concert: Greta Speaks (Rock and pop classics)

Traveling Exhibition: Who is a Hoosier?

July 14

Concert: Brenda Williams (Classic R&B hits from the '60s and '70s)

Traveling Exhibition: The Golden Age: Indiana Literature (1880-1920)

July 21

Concert: IUPUI: David Mannell featuring Laura Hammer-Erhart, Becky Barton and Heather Hinton

(Bicentennial tribute and nostalgic favorites)

Traveling Exhibition: Auto Indiana

July 28

Concert: The Bishops (Party songs you love to dance to)

Traveling Exhibition: Indiana Disasters

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Phoenix Theatre 2015 - 2016 Season Includes a Merman, a Butler and a Hunter

The Phoenix Theatre, 749 Park Ave., Indianapolis, opens its doors for the 32rd season with a British farce set in the 1960s. Also included in this year's offerings are Ethel Merman, dolphins and the traditional holiday presentation of short skits and loud laughter from the audience.                                                                              Check back here for theater reviews.

Phoenix Theatre 2015 - 2016 Season

One Man, Two Guvnors

September 24 – October 18

Welcome to 1960’s England. Francis Henshall finds himself trapped into working for two bosses who are connected to each other in wildly improbable ways. He just has to keep them from discovering each other. Easy, right? One Man, Two Guvnors will have you falling out of your seats in hysteria, as Francis leads you through this topsy-turvy farce of love triangles and mistaken identities. His quest for love, a sandwich and keeping his two guvnors happy swept both London’s West End and Broadway with its hilarity and campy wit.

The Nether
October 22 - November 22

Welcome to The Nether, a virtual paradise of total sensory immersion. Just log in, choose an identity and indulge your every whim. When a young detective uncovers a disturbing realm within this virtual world filled with outcasts and criminals of society, she wonders on what level fantasy meets reality. Are some private dreams too dark and disturbing? Should people be free from consequences in their own imagination? Immerse yourself in this sci-fi thriller about a battle over technology and human desire.

A Very Phoenix Xmas X: Oh, Come Let Us Adore Us
November 27 - December 20

It’s year 10 of A Very Phoenix Xmas, and this year will be X-tra special! We’re back with another round of all new sketches, songs and dances, and in honor of this anniversary year, we may even bring back a few favorites. We’ve got everything on your list: traditional holiday music, madcap comedy skits, and some very talented people to help you celebrate this most joyful—and stressful—time of year.

Butler

January 7 – February 7, 2016

It’s the beginning of the Civil War, and lawyer Benjamin Franklin Butler has just been promoted to Union General at Fort Monroe, a Union hold-out in the state of Virginia. He soon finds himself face to face with Shepard Mallory, an escaped slave seeking asylum at the fort for himself and other slaves. Sworn to uphold the law, Butler prepares to return the slaves, until Mallory forces him to question whether what is legal is actually moral. Inspired by real events, Butler is part comedy, part historical drama.

Pulp

February 11 – March 6, 2016

In 1930’s Los Angeles, washed-up Private Investigator Frank Ellery takes on the strangest case of his life. A noted literary agent has been gruesomely murdered, and the four suspects are his remaining clients, all writers for different pulp magazines. Frank dives into the mystery, and his world turns upside down as life begins to imitate literature. In this new comedy, science fiction, romance, adventure and horror combine with one down-on-his-luck gumshoe who’s about to learn what really lurks between the lines.

On Clover Road
by Steve Dietz

March 10 – April 10, 2016

Kate Hunter has been searching for her daughter for more than four years. Now that she’s been located, Kate must carefully extract her from a cult by trusting a complete stranger to de-program her daughter at an abandoned motel on Clover Road. Will mother and daughter happily reunite? Or will the shadow of a memory she’s held on to for the past four years be all that Kate has left of the daughter she once knew?

Leyenda 

April 14 – May 1, 2016

Spanish for “legend,” Leyenda is a live adaptation of Latino folk tales, based on interviews with members of the Indianapolis Latino community, with performances in English and Spanish. Leyenda includes traditional music and dancing, and explores explanations of happenings in nature, life and mythology. The original play is part of the Phoenix Theatre’s Heritage Series, which explores the history, mythology and cultural inheritance of people of different races and cultural backgrounds, and is supported in part by the National Endowment for the Arts-Art Works.

Book of Merman
May 12 – June 12, 2016

The hit Broadway musical, The Book of Mormon, meets the First Lady of Broadway in this new comedy. When two Mormon missionaries ring Ethel Merman’s doorbell, they have no idea of the surprise awaiting them. With some dazzling parody music and Schwartz’s original songs, laughter ensues throughout The Book of Merman, catapulting you to places you didn’t know you wanted to go. Learn how to “Be a Merman” in this parody musical that will leave you smiling for weeks to come.

TBA

June 16 – July 17, 2016

Every season, we’ve got our eyes and ears on Broadway, with a mission of bringing the nation’s biggest hits to Indianapolis. Sometimes those plays win big awards - ahem, Tony’s - extending their run on Broadway, and delaying our negotiations. As soon as we have the rights, you’ll be the first to know.

Acid Dolphin Experiment

July 14 – August 14, 2016

Acid Dolphin Experiment tackles the life of Dr. John C. Lilly, a mid-century American neuro-scientist famous for exploring the nature of consciousness, and using isolation tanks, dolphin communication and psychedelic drugs … sometimes in combination … and frequently experimenting on himself. As a scientist, he risks his career, relationships and sanity, to decipher the subjective experiences often dismissed as “mere hallucinations.”

Ticket prices for 2015-2016 season
$20 Cheap Seats weekend (opening weekend)

$27 Thursdays and Sundays for remainder of run

$33 Fridays and Saturdays for remainder of run

A Very Phoenix Xmas X:
Oh, Come Let Us Adore Us ticket prices:

$22 Cheap Seats weekend (opening weekend)

$30 Wednesdays, Thursdays and Sundays for remainder of run

$35 Fridays and Saturdays for remainder of run

Wednesday and Thursday performances begin at 7 p.m.
Friday and Saturday performances begin at 8 p.m.
Sunday performances begin at 2 p.m.

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel, wine and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker and media trainer. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Theater Review: Theatre on the Square (TOTS): Enter Love

Theatre on the Square (TOTS) opens its 2015-2016 season with "Enter Love: the Airport Musical," a musical directed and choreographed by Kenny Shepard.

Although the story is set in an international airport, it bears no other likeness to the 1963 film "The V.I.P.s." Starring Elizabeth Taylor and Richard Burton, the classic film had passengers interacting in an airport 's exclusive lounge amid personal crises brought about due to the plane's delay.
Enter Love is a musical, with music and lyrics by Lynn Lupold and Kenny Shepard, centering on everyday people struggling to find answers to life's romantic questions.
Josiah McCruiston brings the audience to laughter portraying Harold, Fern (Harold's wife) and Joe Bob for varying levels of humour. McCruiston surprises you when he sashays across the stage wearing a dress and wig, only to appear moments later in his husband-ish attire. The student at Marian University is quite the quick change artist as well as vocal and comedic talent.

Danny Kingston is delicious in any role he plays, and Austin, Chip and Wayne are no exceptions. Taking on three characters, the Beef and Boards Dinner Theatre regular performer transforms himself into each seamlessly. Whether a flight attendant greeting and helping you find a seat, tucked between two other rednecks, or wondering about his significant other and young son, Kingston shines.

As the various trials and tribulations are worked out to some degree, the characters share their more vulnerable side to the audience and each other. Some laughs, some tears and some reality checks brings this story into the "truth be told" category. Be prepared as this production runs long, with an intermission. 

Bottom Line: Enter Love: the Airport Musical shares life, laughter and love in personal relationships of all types.

Images provided by TOTS

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Ruffs & Tails at the IRT 2014 Benefits Humane Society of Indianapolis

Dog parents will get a chance to help the Humane Society of Indianapolis while enjoying a night out on the town with their four-pawed friends. The Indiana Repertory Theatre is launching its inaugural ‘Ruffs & Tails’ event Owners and their furry pals can meet other canines, nibble on human and doggy treats and get their picture taken wearing Shakespearean ruff.

The event takes place opening weekend of IRT's 2014-2015 season with The Two Gentlemen of Verona and their furry, tail-wagging cast member, Crab. Dogs are welcome to enjoy Three Dog Bakery goodies with flavors they’ll love including vanilla, peanut butter and carob. Think your dog is the most adorable in Indiana? Win over the crowd and have your dog’s picture taken in Shakespearean ruff to show off his or her theatrical side. Pictures of each future star will be taken and a specialty Three Dog Bakery gift basket will be awarded to the most ‘liked’ dog photo on the IRT’s Facebook page.

Learn more about the Humane Society and bring donations for their Humane Society Wish List. Donations include an entry to win a class from Bark Tutor School for Dogs. With special code, “IRTdog,” $2 per ticket of the Wed, Oct. 1, 7:30 pm performance and the Sun, Oct. 12, 5pm performance will be donated to the Humane Society of Indianapolis.

For more information about the IRT (Indiana Repertory Theatre), schedule, ticket pricing and full season calendar, please visit irtlive.org.

Image provided

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.

Indiana Repertory Theatre (IRT) 2014-2015 Season Includes Gentlemen, Spirits and Hounds

Indianapolis theater staple Indiana Repertory Theatre (IRT) opens its 2014-2015 season with William Shakespeare's comedy about a love and heartache. Also included in the schedule are dramas, its traditional holiday show and a mystery. As one of my recommended Top 10 best things to do in downtown Indy, IRT continues to create a lineup with a variety that connects with everyone. Check back to this site for reviews throughout the season.

TWO GENTLEMEN OF VERONA

September 16 - October 19

The grass is always greener, especially in Milan. Best friends Valentine and Proteus are in love with the same woman: will it destroy their friendship or teach them a lesson? Join us for an adventure in laughter and frivolity as we meet a circus of outlaws, a cross-dressing heroine, a dog-loving clown and two friends who discover that love isn’t an easy game to play. 

RED

(Upperstage)

October 14 - November 9

It’s 1958 and abstract expressionist painter Mark Rothko had just landed the biggest commission in the history of modern art. With the help of his assistant, Rothko frantically struggles against his insecurities while trying to create a definitive and moving body of work. Electrifying and captivating, this winner of the Drama Desk Award and Tony for best play investigates the conflicts inherent in the tension between a great artist’s desire to be understood and respected.

A CHRISTMAS CAROL

November 13 – December 24

The beloved classic of loss and redemption returns to IRT’s snow-covered stage as Dickens’ characters bring new life every season in this faithful, fanciful and frolicsome adaptation. It’s Indy’s favorite holiday tradition. Experience it for the first time all over again.

GOOD PEOPLE

January 7 – February 1

Single mother Margie Walsh may be on her last leg financially, but she hasn’t lost her sense of humor. Could reconnecting with an old sweetheart be the answer to all of her struggles? In this intensely observed portrait of a poignantly brave woman down on her luck, Pulitzer Prize-winning David Lindsay-Abaire lights up the stage as he considers whether it is strength of character or just plain luck that ultimately determines our fates in today’s America.

THE GIVER

January 20 – February 22

No pain. No desire. No choice. Sameness reigns in a utopian society set in the not-too-distant future. But for 12-year-old Jonas, his controlled and predictable life is unraveling before his eyes. Based on the award-winning book by Lois Lowry, this complex and controversial story forces us all to question the dangers of conformity and the power of truth.

THE HOUND OF THE BASKERVILLES

February 18 – March 15

Join Sherlock Holmes and Dr. Watson as Baker Street’s fabled detective duo investigate a deadly threat to the heir of the Baskerville estate. Will Victorian London’s keenest mind deduce the source of the monstrous mongrels before they claim another victim? Family secrets, haunted hounds, romance, and mysteries abound in Sir Arthur Conan Doyle’s timeless tale of supernatural suspense. 

WHAT I LEARNED IN PARIS

March 17 – April 12

1973 Atlanta. The politics of race, class and gender are rapidly transforming as the city elects its first black mayor. What better time to begin a romantic escapade than during the eve of an historic election? Old loves rekindle and new loves ignite in this expertly funny and delightfully urbane love story. 

ON GOLDEN POND

April 14 – May 10

As Ethel and Norman return to the familiar summer ritual of their tranquil vacation home on the water, they get a surprise guest in the form of their daughter’s young stepson-to-be. This tender tale paints an honest look at the labors and liveliness of a couple in the midst of their twilight years. This beloved Tony Award winning play reminds us that each moment we receive is a gift we share with those we love.

About the IRT

Founded in 1972, the IRT is the largest and leading fully professional not-for-profit theatre in the state and has grown into one of the leading regional theatres in the country. The IRT continues to be one of the top-flight cultural institutions in the city and state, providing experiences that engage, surprise, challenge and entertain.

Elizabeth J. Musgrave writes two magazine food and wine columns: Destination Dining and White Linen & Corks,and is a travel, features, food and wine writer, travel and food photographer, and performing arts and restaurant critic. Catch her as the Travel & Leisure Adviser on FOX59 Morning News Show. She also is a speaker, consultant and trainer for hospitality, travel and luxury businesses, P.R., and tourism groups, as well as a radio and television guest and host. Follow her on Twitter @GottaGo, LinkedIn and Facebook.