Showing posts with label defying gravity. Show all posts
Showing posts with label defying gravity. Show all posts

Monday, March 14

ISO: Idina Menzel

Coquettish, classy, and the girl next door all rolled into one, Idina Menzel graced the stage with the Indianapolis Symphony Orchestra at The Hilbert Circle Theatre, Indianapolis. Noted by the excitement in the air, and the sold-out status, the night looked to be a great one.

Menzel, known for her Tony-Award winning role as Elphaba in Broadway's smash hit Wicked, a Tony-nominated performance in Rent and, more recently, her role in television's Glee, has endeared her to audiences of all genres. Appearing in a regal purple gown sans shoes gave forth the idea that although she has a glamorous occupation, she's still just one of us. The marvelous thing about that idea is...it's authentic. Menzel keeps the audience entertained, not just with her vocal range and powerful ballads, but also with her tales of growing up with all the usual angsts.

Selections included Defying Gravity, I'm Not That Girl and the nicely combined Love for Sale with Roxanne. One moment flirtatious with I Feel Smoochey, the next gentle in Look to the Rainbow from Finian's Rainbow is just one more reason Menzel is so popular. The reachable factor; yes she is on stage above you, but she is human and not stand-offish. Apologizing to the ISO Juliard-trained performers, she made the audience howl with laughter by ripping into her Glee rendition of Lady Gaga's Poker Face.

Throughout the evening the Long-Islander imitated Barbra Streisand's well-known voice, complete with the New York accent. She nailed the superstar's mannerisms and vocals during Don't Rain on My Parade and Funny Girl without losing her own style. She brought the house down with her tale of meeting idol Barbra Streisand, who promptly ignored her as only Babs can do. Eventually, after Menzel downed numerous tequila shots to get over the snub, she was finally given the nod of approval from the star for her performance.

Welcoming the only three ticket holders from the Smiley Glee Club (the entire group had performed in the lobby), onto the stage, Menzel performed back-up vocals, allowing the trio to be showcased. That, my friends, is a true lady with zero diva tendencies.

Bottom Line: Idina Menzel is enthralling in her approach with the audience, the songs, the orchestra and life. Her talent takes her from stage to television and to the silver screen. It doesn't take a crystal ball to predict that this performer will follow in the footsteps of other greats, including Streisand and Liza Minelli, who have outlasted countless others and have that one thing everyone wants: IT.


Elizabeth J. Musgrave is a syndicated columnist, travel writer, music, restaurant and theater critic. Catch her as Indy’s Arts & Entertainment Adviser on 93 WIBC and follow her on Twitter @ejmusgrave1 and Facebook.
Photos: www.indianapolissymphonyorchestra.org; www.idinamenzel.com
Gotta Go is published in the following newspapers: South Sider Voice, Indiana Weekender, New Palestine Reporter, Pendleton Times Reporter and Fortville-McCordsville Reporter.

Monday, December 20

Broadway Across America: Wicked

Defying Gravity
Wicked, Broadway Across America's mega show, is Defying Gravity through Jan.1 at Old National Centre, 402 New Jersey. The story, explaining the three witches of the Land of Oz and based on Gregory Maguire's bestseller, which is based on Frank L. Baum's The Wonderful Wizard of Oz, is attractive to the non-theater crowd as well as the live-theater faithful.

When Elphaba (Vicki Noon), who later becomes the Wicked Witch of the West, arrives in the world with the skin tone of pea soup, her family, already dysfunctional, becomes outright broken. Younger sister Nessarose, (Michelle London), who turns into the Wicked Witch of the East, becomes Daddy's favorite after Mom dies during her birth.

The girls arrive at school (Elphaba is only allowed to attend to care for her wheelchair-bound sibling). A miscommunication results in the unpopular Green Girl being placed in the same dorm room with the head of the Beautiful People. Galinda (portrayed by understudy Rachel Potter), who grows into Glinda the Good Witch, makes her dislike of her roommate known.
The male version of Galinda is Fiyero (Chris Peluso) who comes to terms with the fact that he is more like Elphaba than Galinda. Eventually he has to choose between his heart and following the easy path of compliance.
Fiyero and Elphaba
The audience is taken on an emotional ride with Elphaba's dramatic Defying Gravity and Galinda's hysterically funny solo, Popular. The duo's What is this Feeling? lends voice to the girls' loathing for each other in a way that only the young can...with brutal honesty.

Transportation takes on an important role in this musical with one wicked witch on a scraggly, ugly broom, the other in a dowdy wheelchair, symbolizing each of their hard rides in life. The good witch floats delicately along, inside a beautifully adorned bubble, much as she does throughout her charmed life.

The phony Wizard of Oz traipses to and fro via a hot air balloon, perhaps insinuating he is full of hot air? The once-shallow Fiyero begins with an ornate carriage and ends with him simply walking, relying upon himself for transportation, just as he matures and comes to rely on himself in life rather than going along with the popular crowd.

Bottom Line: With flying witches, talking goats and an emerald-colored city, Wicked gives the aura of a movie set, allowing viewers to be drawn in, imagining themselves in a Hollywood blockbuster.

Review Photos by BroadwayAcrossAmerica.com

Elizabeth J. Musgrave is a syndicated columnist, travel writer and theater critic. Catch her as Indy’s Arts & Entertainment Adviser on 93 WIBC and follow her on Twitter @ejmusgrave1 and Facebook.
 
Gotta Go is published in the following newspapers: South Sider Voice, Indiana Weekender, West Side Community News, New Palestine Reporter, West Indianapolis Community News, Pendleton Times Reporter and Fortville-McCordsville Reporter.


WICKED continues at the Murat Theatre at Old National Centre through January 1. Tickets are available at ticketmaster.com/wicked and broadwayacrossamerica.com, at the Murat Box Office, Clowes Hall Box Office and Broadway Across America office, 342 Massachusetts Ave.,  and by phone at 800-982-2787.